vintage 1981 Ibanez AD-80 Analog Delay
classic analog BBD delay MN3005 MN3101
2 x 9V batteries or 18V w/truetone C35 adapter (included)
excellent condition tested no box
vintage 1981 Ibanez AD-80 Analog Delay
vintage 1981 Ibanez AD-80 Analog Delay
classic analog BBD delay MN3005 MN3101
2 x 9V batteries or 18V w/truetone C35 adapter (included)
excellent condition tested no box
The Ibanez AD-80 is a classic analog delay pedal known for its warm, vintage-inspired tones. It utilizes a bucket-brigade device (BBD) circuit to create a delay effect with a maximum delay time of around 300 milliseconds. The pedal features controls for Delay Time, Repeat (feedback), and Blend (mix of dry and delayed signal). It's appreciated for its musicality and ability to produce a range of delay sounds, from subtle slapback to more pronounced echoes.
Controls are extremely sensitive. The Ibanez AD-80 analog delay pedal is known for its ability to self-oscillate, producing a variety of feedback effects, including intense, spacey sounds. With the delay time and repeat knobs both set to higher levels, the pedal can create a screaming, howling sound. Adjusting the delay time can also produce speaker-frying bass frequencies. The blend knob, particularly on older models, can act more like an on/off switch.
Self-Oscillation Explained: Self-oscillation in an effects pedal occurs when the output of the effect is fed back into its input, creating a feedback loop. In the case of the Ibanez AD-80, this feedback loop is intensified when the delay time and repeat knobs are set to their higher values. This leads to the pedal producing a wide range of feedback sounds, from subtle echoes to intense, howling oscillations.
Specific Characteristics: Early Oscillation: The AD-80's repeat knob can cause oscillations to start "running away" even at relatively moderate settings. "UFO Landing" Sounds:The pedal's self-oscillation capabilities can be used to create unique, spacey effects, sometimes described as "UFO landing" sounds.
100% Wet Signal: The AD-80 is capable of producing a 100% wet signal, meaning only the delayed signal is heard, which can be desirable for certain experimental sounds.



